23 ideas
22002 | Wolff's version of Leibniz dominated mid-18th C German thought [Pinkard] |
21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
22021 | Romantics explored beautiful subjectivity, and the re-enchantment of nature [Pinkard] |
22010 | The combination of Kant and the French Revolution was an excited focus for German philosophy [Pinkard] |
22036 | In Hegel's time naturalism was called 'Spinozism' [Pinkard] |
21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
16235 | Persistence conditions cannot contradict, so there must be a 'dominant sortal' [Burke,M, by Hawley] |
14753 | The 'dominant' of two coinciding sortals is the one that entails the widest range of properties [Burke,M, by Sider] |
16072 | 'The rock' either refers to an object, or to a collection of parts, or to some stuff [Burke,M, by Wasserman] |
14751 | Tib goes out of existence when the tail is lost, because Tib was never the 'cat' [Burke,M, by Sider] |
16071 | Sculpting a lump of clay destroys one object, and replaces it with another one [Burke,M, by Wasserman] |
16234 | Burke says when two object coincide, one of them is destroyed in the process [Burke,M, by Hawley] |
13278 | Maybe the clay becomes a different lump when it becomes a statue [Burke,M, by Koslicki] |
14750 | Two entities can coincide as one, but only one of them (the dominant sortal) fixes persistence conditions [Burke,M, by Sider] |
22048 | Idealism is the link between reason and freedom [Pinkard] |
8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |